Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
跑路怎么都往中国跑，有病吧，有健康码么你们
我是真的很喜欢朴素丹的气质
补标22/01/08 和姐姐一起带着小外甥女一起看 是她的第一部电影 mark一下 还是适合小朋友的 比较感人
动作戏的场面和节奏都不错，可惜剧情有点弱。
节奏和音乐真不错，朴素丹真的好像金高银啊！
是体现母爱的伟大的电影，很适合带小朋友一起看。不过，我们家中班的小朋友好像还只能看懂搞笑的部分，感动的部分还要再大一点才理解。
朝鲜族在韩国是有多招人恨啊……好多电影都要黑一黑朝鲜族 片子普普通通有些美式风格 飙车戏看的不是很过瘾 除此之外韩国要是不会拍动作戏就别拍了 真的很无聊
犯罪黑警飞车动作片。为了救助一个孩子，女主舍命与黑警黑帮相搏，最后将所有坏人全部杀死，还了一个好好的环境给小男孩生活。
女版《玩命快递》。 单眼皮酷妹，还飙车，刺激，加1星。 话说，还是红旗下长大的孩子讲情怀嘛。 贬警察，如果说韩国电影是第二，没哪国敢说第一。估摸韩国警察恨死了电影人士吧😃
虽然有细节瑕疵
女版《大叔》老套动作片，放在前十年倒是还不错。由此片可以看出脱北者在韩国人心里是什么样的，一出现这三个字，不管是一个打十个还是刀枪不入都是合理的。从一开始就觉得配乐有点熟，到结束才想起来，很像是快银的bgm啊
韩国电影标准的脱北者人均特工，电影很流水线，看着还行吧，毕竟是女脱北者还有点看头的样子。女主长的太像我同学了，看着出戏。
我家五岁的宝贝一直是喜欢萌鸡小队，萌鸡一家她都认识，萌鸡们开心的时候她跟着笑，萌鸡们遇到困难的时候，她都急哭了
抱着陪看的心态，结果却发现这部
很刺激，偶尔速度与激情，偶尔低质量走心。小孩子过于不确定因素（几乎在靠孩子推动剧情），不喜欢。女主最后居然活下来了，好糟糕的HE//泡菜的电影里黑警好多，又玩脱北者的设定。孩子爸是《为**服务》里那个好看的屁股
剧情有趣好看 也令人感动 小朋友应该都挺喜欢的
“所有人物在出场的第一帧就可以预测到全部行为轨迹”的典范之作。
从成年人的视角看，这类电影自然是无感。但小朋友们观影过程中的哈哈大笑、惊吓得捂嘴、兴奋地鼓掌、对着屏幕提醒萌鸡不要开门、末尾处感动得流泪……，都说明了这部片子很不错。能让一众小朋友全程盯着屏幕喝口水都嫌烦不愿错过一秒的电影就是好电影。
单眼皮的魅力，小孩挺可爱的。车技不错。哈尼哥为什么不跑？
开场BMG像极了<雷神3>。人到中年对传承特别敏感
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